Our 1994-1995 Season: Mainstage
The scene is the ornate, deserted Victorian boathouse on the Talley place in Lebanon, Missouri; the time 1944. Matt Friedman, an accountant from St. Louis, has arrived to plead his love to Sally Talley, the susceptible, but uncertain daughter of the family. Bookish, erudite, totally honest and delightfully funny, Matt refuses to accept Sally's rebuffs and her fears that her family would never approve of their marriage. Charming and indomitable, he gradually overcomes her defenses, telling his innermost secrets to his loved one and, in return, learning hers as well. Gradually he awakens Sally to the possibilities of a life together until, in the final, touching moments of the play, it is clear that they are two kindred spirits who have truly found each other—two "lame ducks" who, in their union, will find a wholeness rare in human relationships.
Salley Talley | Valery Foley |
Matt Friedman | Tom Moynahan |
Director | Bill Zanowitz
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Producer | Cheryl Marocco Bookstaver
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Stage Manager | Anita Beasley
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Set Design | Sal Ruggiero
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Set Construction | Don Ryerson
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Set Construction-Crew | BJ Brennan
Roger Clark Marty Kleindienst Steve Zevas |
Set Decor | Lillian Miller
Sal Ruggiero |
Set Decor-Crew | Peter Schulz
Donna Sousa |
Lighting Design | Bill Massa
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Lighting Board Operation | Ray Mines
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Lighting-Crew | Roger Clark
Gil Collins Donna Sousa Laurie Toth Robin Totillo Jim Totillo Bill Walltin |
Sound Design | Glenn Beasley
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Sound Operation | Teri Noel
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Costumes | Cheryl Marocco Bookstaver
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Make-Up / Hair | Joan Agosta
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Program Cover | Tricia Trozzi
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Program Editor | Brian Marshall
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